Luckily, Suzanne Hawley has this cast to bring her four archetypes to individual life - Di Smith as the lively artistic one, Katrina Foster as the therapeutic earth mother, Di Adams as the most seemingly conventional one and Helen O'Connor as the vibrant writer of bonkbusters and recreational pole-dancer. The joy of the play is seeing these four personalities bounce off each other as the story flashes between the current crisis and elements of the characters' backstories over the last fifty-something years of friendship. Lewis Fitz-Gerald and Tony Poli fill in as the two token men filling in smaller roles, Poli as a love interest and a son and Fitz-Gerald as a range of characters including a quiet-spoken neighbor, a grumpy teacher and a kindly train conductor.
Director Kim Hardwick gives this a tight production on a largely simple set with a few surprises in store - letting the performers be the focus. The lighting by Martin Kinnane is precisely placed to focus our attention and give the scenes a sense of time and place, together with some nice sound design elements from Patrick Howard.
This is basically the stage equivalent of a chick-flick, with four skilled performers telling a simple emotional story well - it's good to hang out with these friends and to feel comfortable among them. It's a nice set of vibes.
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