Photo from Jane Duong Photography
Frederico Garcia Lorca's 1936 Spanish tragedy of five sisters trapped together under a domineering mother where their own desires tear them apart is a masterpiece of tension and dramatic release - set during a long hot summer, the emotions are palpable and the tensions can be cut like a knife. As oldest sister (and inheritor of the family fortune) Angustius prepares for her wedding day, the other sisters develop their own plans, building to a crashing climax. Karen Vickery's production embodies this tension, makes it palpable in the glances, in the tones of voice and in the movements of the actresses.
Leading the cast is the dominating Zsuzsi Soboslay, imperious and upright as Bernarda - a stiff reed in the changing winds. Sophie Bernassi as Angustius sells the frustration, the release and the crashing loss as she tries to mould herself to her mother's expectations and comes against her sisters' own needs. Karina Hudson as Adela, rhapsodic in her lusts, is so wonderfully selfish and possessed by her ambitions that you can see the disaster ahead without being able to stop it. Yanina Clifton as Martirio has a great, scheming undercurrent of rage and demand for her own satisfaction, hoarding her hidden knowledge of what's going on to release it at a time when it'll cause the most damage. Amy Kowalckzuk is beautifully able to sublimate her own desires with emphatic embroidery, sudden glances or an inappropriate snort as Magdalena. Christina Falsone as the housekeeper Poncia watches and attempts to advise, knowing she can't stop the disaster that is coming down the line towards all of them. And Alice Ferguson's Maria Josefa falls into revelries of her own desire for freedom, now long gone with her youth.
Vickery's production uses the in-the-round stage as an arena for us to examine these women's struggles, on Marc Hetu's simple red-brick stage. Fiona Leach's costumes capture the mood and the heat as the women move from confining mourning wear to lounging slips and sleepwear. It's a true steam-train of a prodction, relentlessly moving to its inevitable conclusion, a sultry, tense evening of tragedy and power. This is a classic given form and power in a strong, intimate production driven by its actresses. It should be seen and savoured.